
“The Comet / Poppea” – Run AMOC* Festival at Lincoln Center
AMOC* opens our milestone Run AMOC* Festival with the New York premiere of The Comet / Poppea. This production fuses Monteverdi’s The Coronation of Poppea (1642) with W.E.B. Du Bois’s

AMOC* opens our milestone Run AMOC* Festival with the New York premiere of The Comet / Poppea. This production fuses Monteverdi’s The Coronation of Poppea (1642) with W.E.B. Du Bois’s

AMOC* and Sandbox Percussion perform this seminal minimalist work by Dutch composer Simeon ten Holt.

The New York premiere of Harawi realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in new physical and dramatic dimensions.

GRAMMY-nominated Seth Parker Woods curates a weekend-long celebration of Julius Eastman’s art and the greater context of his life, creativity, and humanity. The weekend opens with the New York premiere

GRAMMY-nominated Seth Parker Woods curates a weekend-long celebration of Julius Eastman’s art and the greater context of his life, creativity, and humanity. The celebration concludes with a Silent Disco set

Zarabanda Variations brings together a group of visionary composers, improvisers, and performers to draw inspiration from the musical histories of 16th- and 17th-century New Spain (present day Mexico).

Early music band Ruckus and AMOC* member Keir GoGwilt celebrate the legacy of Niel Gow (b. Perthshire, 1727-1807), one of Scotland’s most important musicians, with the New York premiere of

A tender, joyful, and fiercely experimental performance featuring dancers Julia Eichten and Bret Easterling.

This first collaboration between AMOC* Co-Founder Matthew Aucoin and director Peter Sellars inspired by the visionary poetry of Jorie Graham, addressing some of the most urgent questions of our time.

The Cello Player excavates the complexity of ancient relationships: the tortured conception of friendship as a messy amalgam of love, hatred, insecurity, and neediness.

AMOC* opens our milestone Run AMOC* Festival with the New York premiere of The Comet / Poppea. This production fuses Monteverdi’s The Coronation of Poppea (1642) with W.E.B. Du Bois’s

AMOC* and Sandbox Percussion perform this seminal minimalist work by Dutch composer Simeon ten Holt.

The New York premiere of Harawi realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in new physical and dramatic dimensions.

GRAMMY-nominated Seth Parker Woods curates a weekend-long celebration of Julius Eastman’s art and the greater context of his life, creativity, and humanity. The weekend opens with the New York premiere

GRAMMY-nominated Seth Parker Woods curates a weekend-long celebration of Julius Eastman’s art and the greater context of his life, creativity, and humanity. The celebration concludes with a Silent Disco set

Zarabanda Variations brings together a group of visionary composers, improvisers, and performers to draw inspiration from the musical histories of 16th- and 17th-century New Spain (present day Mexico).

Early music band Ruckus and AMOC* member Keir GoGwilt celebrate the legacy of Niel Gow (b. Perthshire, 1727-1807), one of Scotland’s most important musicians, with the New York premiere of

A tender, joyful, and fiercely experimental performance featuring dancers Julia Eichten and Bret Easterling.

This first collaboration between AMOC* Co-Founder Matthew Aucoin and director Peter Sellars inspired by the visionary poetry of Jorie Graham, addressing some of the most urgent questions of our time.

The Cello Player excavates the complexity of ancient relationships: the tortured conception of friendship as a messy amalgam of love, hatred, insecurity, and neediness.
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