This video features Christien Reif, conductor and music director of AMOC*’s production of El Niño: Nativity Reconsidered reflecting on his preparation for the performance—and being a new dad!
“With a singularly expressive voice, you’d think the 35-year-old soprano from St. Louis would stuff her debut album with show-stopping opera arias, but nothing is conventional about Bullock.”
Davóne Tines listed as Classical Music breakout star.
Congratulations to two AMOC*ers for this recognition of their incredible work!
Best Classical Music: Paul Appleby and Conor Hanick
“Only an Octave Apart (featuring Anthony Roth Costanzo, directed by Zack Winokur), was a playful, smart and unexpectedly moving evocation of unexpected connections in life and music.”
Read how AMOC* co-founder, Matthew Aucoin, was able to introduce himself and eventually write Sarah Ruhl’s version of Eurydice, which premiered at the Metropolitan Opera in November 2021.
“Davóne Tines Is Changing What It Means to Be a Classical Singer,” Alex Ross writes.
“Musicologists were reaching for their smelling salts as Baroque flutist Emi Ferguson and the period-instrument group RUCKUS played a mash-up of a Bach flute sonata with the ‘Goldberg’ Variations…,”
“Bobbi Jene Smith‘s authenticity consistently shines through in her work. She’s known for her remorseless interrogation of the soul…”
This video features Christien Reif, conductor and music director of AMOC*’s production of El Niño: Nativity Reconsidered reflecting on his preparation for the performance—and being a new dad!
“With a singularly expressive voice, you’d think the 35-year-old soprano from St. Louis would stuff her debut album with show-stopping opera arias, but nothing is conventional about Bullock.”
Davóne Tines listed as Classical Music breakout star.
Congratulations to two AMOC*ers for this recognition of their incredible work!
Best Classical Music: Paul Appleby and Conor Hanick
“Only an Octave Apart (featuring Anthony Roth Costanzo, directed by Zack Winokur), was a playful, smart and unexpectedly moving evocation of unexpected connections in life and music.”
Read how AMOC* co-founder, Matthew Aucoin, was able to introduce himself and eventually write Sarah Ruhl’s version of Eurydice, which premiered at the Metropolitan Opera in November 2021.
“Davóne Tines Is Changing What It Means to Be a Classical Singer,” Alex Ross writes.
“Musicologists were reaching for their smelling salts as Baroque flutist Emi Ferguson and the period-instrument group RUCKUS played a mash-up of a Bach flute sonata with the ‘Goldberg’ Variations…,”
“Bobbi Jene Smith‘s authenticity consistently shines through in her work. She’s known for her remorseless interrogation of the soul…”
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