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MUSIC FOR NEW BODIES

Brockman Hall for Opera, Rice University 6100 Main St., Houston, TX

A major new work and exciting first collaboration between AMOC* member and co-founder composer Matthew Aucoin and director Peter Sellars. A musical premiere is brought to life by five vocal soloists and an 18-instrument ensemble conducted by Matthew Aucoin.

ZARABANDA VARIATIONS

The Clark Art Institute 225 South St, Williamstown, MA, United States

Conceived by performer, composer, and AMOC* member Keir GoGwilt, Zarabanda Variations bring together a group of visionary composers, improvisers, and performers, inspired by musical histories of sixteenth- and seventeenth-century New Spain. The zarabanda is a dance with possibly Spanish, American, and Arab origins, a plausible etymology from the Bantu nsala-banda, which eventually transformed into a courtly European Baroque dance. This performance sounds the archival gaps of early American music, creating a surprising and vibrant synthesis of European and Latin Baroque, folk, and contemporary musical traditions.

THE COMET / POPPEA

WAREHOUSE at The Geffen Contemporary at MOCA 152 North Central Avenue, Los Angeles, CA, United States

The Comet / Poppea brings together seemingly disparate worlds connected by stories of cultural transformation. It juxtaposes Claudio Monteverdi’s L'incoronazione di Poppea (The Coronation of Poppea), an Italian opera from 1643 unfolding among the social divisions of ancient Rome; and the world premiere of The Comet, based on the 1924 science-fiction short story by sociologist and Pan-Africanist civil rights activist W.E.B. Du Bois. Set in 1920s New York City, “The Comet” depicts a Black man and white woman as the only survivors after a comet hits Earth.

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