In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
“At a certain point I forgot all about following the translations, lost in the way in the way that Bullock and mezzo-soprano Rachael Wilson breathed life into every word.”
“a savvy cast—including Bullock, Anthony Roth Costanzo, and Davóne Tines, all in top form–”
“Even as a straightforward concert presentation, this version of El Nino: Nativity Reconsidered was a thrill. It’s music that deserves to be heard more often, and to be presented by
“Audiences at the Ojai Music Festival, the Southern California new-music jamboree, are accustomed to unpredictable goings on, but this year’s edition may have caught even veteran attendees off guard.”
In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
“At a certain point I forgot all about following the translations, lost in the way in the way that Bullock and mezzo-soprano Rachael Wilson breathed life into every word.”
“a savvy cast—including Bullock, Anthony Roth Costanzo, and Davóne Tines, all in top form–”
“Even as a straightforward concert presentation, this version of El Nino: Nativity Reconsidered was a thrill. It’s music that deserves to be heard more often, and to be presented by
“Audiences at the Ojai Music Festival, the Southern California new-music jamboree, are accustomed to unpredictable goings on, but this year’s edition may have caught even veteran attendees off guard.”
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