At The Clark, joy, loud and rocking, from ‘Rome is Falling’
… it cemented its
effervescent, locomotive score and highlighted the creative genius of
Balliett’s truly omnivorous talent.
… it cemented its
effervescent, locomotive score and highlighted the creative genius of
Balliett’s truly omnivorous talent.
If what the world needs is love, “Comet / Poppea” proposes that love needs dialogue on more levels than anything else on stage right now. All aspects of the production
It’s a burst of imagination and creativity in an art form often governed by rigid and elitist conventions. Translating DuBois’s words into opera is a radical feat in itself.
The two constituent scores found moments of synthesis, analysis, and genuine play in counterpoint, helped along by Douglas Kearney’s ingenious blended libretto…[George Lewis’s] music is taut as ever, inserting itself
In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
… it cemented its
effervescent, locomotive score and highlighted the creative genius of
Balliett’s truly omnivorous talent.
If what the world needs is love, “Comet / Poppea” proposes that love needs dialogue on more levels than anything else on stage right now. All aspects of the production
It’s a burst of imagination and creativity in an art form often governed by rigid and elitist conventions. Translating DuBois’s words into opera is a radical feat in itself.
The two constituent scores found moments of synthesis, analysis, and genuine play in counterpoint, helped along by Douglas Kearney’s ingenious blended libretto…[George Lewis’s] music is taut as ever, inserting itself
In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
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