Opera Wire: Metropolitan Opera & Julia Bullock Lead Classical Grammy Awards
The Best Classical Solo Vocal Album went to Julia Bullock and Christian Reif for “Walking In The Dark.”
The Best Classical Solo Vocal Album went to Julia Bullock and Christian Reif for “Walking In The Dark.”
In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
members of the American Modern Opera Company (AMOC*) spoke to Danielle Storey’s chorus class about their work, paths to becoming professional musicians, and learning from failure.
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
“Broken Theater is a gift that the actors, musicians, and dancers gave each other under the watchful eye of Smith, who for the past decade has forged a reputation for
“Broken Theater is astonishing for its ability to bring together an incredible diversity of movement vocabularies, ideas and emotions while building toward a collective statement that’s as clear as it
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
The Best Classical Solo Vocal Album went to Julia Bullock and Christian Reif for “Walking In The Dark.”
In a single concert performance at the Cathedral of St. John the Divine in upper Manhattan a few days ago, it headlined two of the singers who will be making
members of the American Modern Opera Company (AMOC*) spoke to Danielle Storey’s chorus class about their work, paths to becoming professional musicians, and learning from failure.
El Niño: Nativity Reconsidered has affirmed this company as one of high ambition and accomplishment. Wherever and whenever these artists return, attention must be paid.
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
“Broken Theater is a gift that the actors, musicians, and dancers gave each other under the watchful eye of Smith, who for the past decade has forged a reputation for
“Broken Theater is astonishing for its ability to bring together an incredible diversity of movement vocabularies, ideas and emotions while building toward a collective statement that’s as clear as it
This fourth-wall-breaking moment was characteristic of “Broken Theater,” which, over the course of a tumultuous hour and 40 minutes, repeatedly stops to comment on itself, blurring the boundaries between reality
The incredible prowess of the cast is immediately felt…Throughout the show, their presence is often just as powerful when lingering in a corner, talking in an open dressing room far
“Broken Theater is one of the most unusual dance/theater productions I’ve see, and one of the finest. Simply put, it’s a work of astonishing creativity, audacity, and genius.”
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