“Music for New Bodies” at Tanglewood
August 7, 2025
Seiji Ozawa Hall
Matthew Aucoin’s Music for New Bodies (2024) is an uncategorizable work of music-theater: part opera, part song cycle, part vocal symphony. Based on poetry by Jorie Graham, the piece is a portrait of our moment in history as seen through the eyes of a cancer patient undergoing a drastic medical procedure. As the patient experiences the transformation of her own body, she meditates on questions that range from the personal to the cosmic: in a time when life is more and more virtual, what does it mean to have a body? And above all, after our species has poisoned the planet with uncountable toxins, can we still listen to what the earth has to tell us?
Music by Matthew Aucoin*
Text based on poems by Jorie Graham, assembled by Matthew Aucoin and Peter Sellars
Stage Direction by Peter Sellars
Lighting Design Ben Zamora
Assistant Director Yibin Wang
Production Stage Manager Betsy Ayer
Costume Stylist Victoria Bek
High Soprano Song Hee Lee
Soprano Meryl Dominguez
Mezzo Megan Moore
Tenor Paul Appleby*
Bass-Baritone Evan Hughes
Sandbox Percussion Jonny Allen*, Victor Caccese, Ian Rosenbaum, Terry Sweeney
Flute Emi Ferguson* and Jessica Shand
Clarinet Yasmina Spiegelberg
Oboe Joe Jordan
Bassoon Kara LaMoure
Violin Miranda Cuckson* and Keir GoGwilt*
Viola Carrie Frey
Cello Iva Casian-Lakos and Jesse Christeson
Bass Maggie Cox
Harp Jacqueline Kerrod
Piano Baron Fenwick
Keyboard Lucas Amory
Conductor Matthew Aucoin
* AMOC* Company Member
The American Modern Opera Company’s appearance, including Music for New Bodies, is generously supported by Katie and Paul Buttenwieser.
Music for New Bodies is a co-commission of American Modern Opera Company (AMOC*), DACAMERA, Los Angeles Opera, the Shepherd School of Music at Rice University, and the Aspen Music Festival and School. Foundational residency support for the development of Music for New Bodies was provided by Brown Arts Institute at Brown University.
By arrangement with Associated Music Publishers, Inc., publisher and copyright owner.
Special thanks to Avery Willis Hoffman, Jessica Wasilewski, Joshua Bristow, Ian Driver, Lincoln Center for the Performing Arts, and THE OFFICE performing arts + film.